September 4, 2009
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BEWARE OF TAPEWORM-BEARING ZOMBIES

By: Ed Rosenberg
Sixty years
ago, on September 9, 2009, something landed near a small, rural town — what the
government would ultimately call “the Modern Plague.”
The last survivor from ground
zero looks back at the terrible incident as we take a fine, horror-filled, fun
ride in the spirit of Invasion of the Body Snatchers meets Night of the Living
Dead. A taut ensemble cast must deal with friends, relatives and neighbors who
offer them the kiss of zombification a la giant alien tapeworms which slurp
from mouth to disgorging mouth.
Comely Kelly Pendygraft plays
Sarah, waitress at the local diner whose ex-con ex, Deke (Bryan Brewer, who
also wrote, co-produced), suddenly shows up one fateful night. Hulky redneck
Sheriff Bowen (Lochlyn Munro) ain’t too pleased to see him. As if things aren’t
complicated enough for Sarah, all hell breaks loose when a strange meteor pod
hits — and Sarah, Deke and the sheriff are forced into an awkward survival
alliance as they try to rescue loved ones from a town increasingly filled with
aggressive, tapeworm-spewing zombies. As we make our way from convenience store
lockers to isolated houses, a backstory unfolds in which things are not so
black and white, as far as Deke and the town is concerned, for he has just been
paroled for killing one of its members. Of course, Deke and Sarah’s romance
rekindles, which ups our dramatic ante as we further invest in the characters.


The plot takes some unforeseen
twists and turns involving Deke’s troubled mom (Marcia Moran), Sarah’s brave
father figure Jerry (David Jean Thomas), and as things heat up, no love is lost
between the headstrong Deke and the steadfast Neanderthal of a sheriff — nor
between Deke and hot-headed townie Billy (Brian Guest).
We are never sure if an the
antidote is fully working or who to take or leave behind as we try to sneak out
town. In other words, we are teased and frightened and kept in suspense —
biting our nails and enjoying our popcorn — exactly what we came for.
9.9.09 is a fun, low-budget
indie, deftly helmed by veteran cinematographer Howard Wexler, who not only
knows his way around a camera and spooky lights but gets good performances from
his talented cast, including Chuck Carter as the trailer park scientist and
Mary Kate Schellhardt, who bookends the story as a reporter from the future who
locates the aged Sarah.
Makeup and special effects can’t
compete with Avatar, but they work well enough to serve the story. The film is
complemented by Javier Abad Corral’s excellent score.

Recently awarded Best Sci-Fi Feature at the N.Y. Independent Film & Video Festival, anyone who likes their horror genre classics will really enjoy this one.
FANGORIA, Friday, August 14, 2009, Matt Molgaard
Sixty years ago, on
September 9 of 2009 a meteor (or something of that nature) crashed to earth,
animating a small rural town. Not long after the discovery of the meteor,
people start… morphing into savage animalistic beings, intent on
wreaking havoc on this unsuspecting community, and ultimately: the world as a
whole. But what the government would eventually label a modern plague is
perhaps even worse, as this enemy is clearly otherworldly, and the design
behind this trip to earth is built upon an apparent invasion. The only significant question
is, who the hell lives to tell about it?
Receiving mediocrity in search
of positive review seems to have become “the norm” for me lately. Therefore I
was genuinely surprised, and extremely pleased with Howard Wexler for taking
the time to ship me something worthy of positive feedback. 9.9.09 is one of the
better independent flicks I’ve received as of late, inferior only to MODUS
OPERANDI, PUNCH and LIVE EVIL - three of the best low budget indie‘s I’ve
caught this year - regardless of genre. So, while the budget and cast of a
Michael Bay film may be absent in this specific case, it hasn’t hindered
the overall quality of the film in the slightest. Sayonara mediocrity!
The
prolific Lochlyn Munro (Sheriff Bowen) anchors a young but promising cast which
features admirable performances from Bryan Brewer (as Deke Evans), Kelly
Pendygraft (as Sarah Prescott), and David Jean Thomas (as the wise father
figure Jerry). There’s not a single offering deserving a perfect label,
but there’s a whole lot of spirit and plenty of energy to counter any
less-than-refined moments (which really are few and far between) throughout the
picture. Bryan Brewer (who also penned the script) brings a solid effort to the
table, and given the depth of the mans involvement (aside from starring in, and
writing the screenplay, Brewer also produced the picture) with the project,
really merits significant recognition. Keep an eye out for that name - Bryan
Brewer.
Longtime cinematographer Howard Wexler draws clean, precise direction, utilizing 100% of the limited tools accessible. While Wexler never attempts to break new ground technically, he does shoot a direct, easily follow able film. There’s enough creativity to keep viewers interested despite a standard approach - and given the films financial limitations I personally think it was an intelligent maneuver; It’s better to air on the side of caution, than to overextend yourself and shoot a flaw-infested film. Based on the tactically cautious approach of 9.9.09, Wexler apparently knows this well. Confinements aside, Wexler and Brewer make a damn fine team. While I’m uncertain as to when 9.9.09 will street, I am certain it’s worth a viewing. Fans of goofy monster movies should dig it, zombie fans should dig it, and for those who still tend to gravitate towards the old invasion films of the 50’s should definitely dig it. Don’t expect the pretty polish of Dimension's newest teen-friendly fan favorite, or the star power to draw millions upon millions of viewers - rather, expect a fun, not-too-serious flick with a sound story, fair dialogue and a few memorable scenes. 9.9.09 in short, is a worthwhile investment in respect to both time and money.
Review 1 (AW)
9.9.09
is a thought-provoking story about what might happen if alien life forms
somehow found their way to Earth and began infecting people.
Dripping in metaphorical imagery, the plot interweaves the discovery of a meteor with the reappearance of one of an unnamed towns residents, Deke Evans, (Bryan Brewer), who has been incarnated 10 years for murder.
Looking
like a small town anywhere USA, Deke re-enters local society from across the
tracks, after an unsuccessful reconciliation with his mother
(Marcia Moran), in her pristine Craftsman home. The local highway diner
is the pivot point for the main characters, all interesting and well played by
a ensemble group who seem to believe in the importance of their individual
lives as well as showing an unselfish attitude about their community.
A
creature does seem to be around, after the discovery of a smoldering meteor,
which turns out to be an egg for alien life forms.
Symbology
and metaphors are evident in almost every scene, from an overheard HG Wells
story about the threat of invading Martians to the study of bacteria that
a Junior Sheriffs deputy (Molly McDowell), is listlessly studying.
From
the cramped confines of a vintage Airstream, the home to science nerd old high
school friend Stooley, (Chuck Carter), Deke and his
former girlfriend Sarah (Kelly Pendygraft), learn that the
creature is a worm, with an uncanny ability to smell blood and also infect
various bodily system.
The
ubiquitous Sheriff is well played by Lochlyn Munro, who is apparently infected
himself, although he won't let anyone know. In the films pivotal scene,
the Sheriff is cured of his affliction by Deke, after a linguistic battle
suggesting humanity is so inherently weak that the widespread infection might
be a panacea for conformity. True human feelings are a virtue, and as a society
we all must acknowledge that. The threat of an infection overshadows the
human condition of fear, greed and love, leaving what else?.....A fight.
A
well placed boot kick and some fast thinking saves the Sheriff's life, and
without the slightest thanks moves off to save the world. However, the
alien life forms have overrun the ugly "safe" house and Deke
heroically tries to protect his friends and humanity using the catalyst of
fire.
It is up
to the audience to figure out what Deke's fate is, but like a sage he
re-appears to again see his lost love, now aged but aware.
Physical immortality has perhaps been achieved by Yogis and others, and it's a concept that can't hurt one's psyche to think about. Maybe Deke is immortal, as his puzzling youthful appearance suggests, but also he represents hope after that black day in history, when pathogens from space attempted to overthrow us.
Review 2 (July 5, 2009 JL)
There is a moment early on in the new film 9909 where a reporter exits her fuel efficient car and gazes at the urban landscape in front of her. She simply says, "Great," and moves on. Her infection is flat, and delivered with a mixture of foreboding and resignation.
This sets the scene for the movie, as it is sort of a post apocalyptical look at life in a town where a mysterious meteor has landed. "Great" as in "now what", or maybe disgust at the unforeseen change in her daily routine.
What happened on September 9, 2009 is reason for conjecture, as its not here yet as this is being written. However, for decades it has been foretold that something may happen on that day, as the numbers are too auspicious and uniquely convenient for a major event not to occur.
A meteor has been discovered and the local Sherif, played by familiar Locylyn Munro, who wants to keep a lid on the find, lest his town becomes overrun by UFO zealots. It's not clear what the connection is between UFO's and a meteor, but this film subtly mixes conjecture and realism, sometimes with an offhand remark, other times with an aside that shows individuals who are both altruistic and self serving in the same moment.
The story is told from a sparse 1950's hospital room, somehow a surviving remnant before the glass and concrete of the early twenty-first century. An old woman tells the reporter that government cover ups and lies blocked the truth from being told, and in her final days she wants to reveal what really happened.
On September 9, 2009, or in-the parlance of the future/past known as 9909, something arrived on that meteor that would alter life as we know it, and Sarah is the last remaining survivor, as far as she can tell.
This film is low budget, as the scenes sometimes have a style reminiscent of early Corman, but it is thoroughly engaging and entertaining. The cast works well together, and the direction and staging are excellent. A few moments happen in one long take, yet the essence of the scene is evident and the camera moves reinforce the dialogue.
Brian Guest is appealing in his transformation from the towns wanna-be big shot, to humbly admitting his fear of the unknown, and eventually gathering himself to face his challenge.
Kelly pendygraft is remarkable playing Sarah Prescott twice, once as an octogenarian. Her compelling smile and small town attitude is a model for coming of age girls who have to reason with boys.
Bryan Brewer, playing Deke, also wrote the script, and has a bright future as an actor. He deftly plays the character just right, showing shades of emotion and inner conflict, yet retraining the charm of a small town hero. He is ageless, and an enigma. He might be the smartest and the coolest of the bunch, and in a crisis, someone has to lead.
Chuck Carter, playing Stooley, a science nerd whose few moments on screen are filled with delightful mannerisms, is a character who needs to return in the sequel or perhaps prequel, as his fate is undetermined, but we can probably guess that he outsmarted the infection that seems to run rampant.
The supporting cast are wonderful to watch, as each invents small moments that reinforce their individual character while engaging in an ensemble group effort. Marcia Moran as Deke's mom becomes zombie-like and then humbly recovers, diner owner Jerry played by David Jean Thomas is the town's stoic pillar, eventually offering himself as a sacrifice to help save the others. Terry Becker is the avuncular Gramps, whose distant gaze tells volumes of his history and memories. Kent Faulcon plays the Deputy, and tries to be strong in spite of the overwhelming odds. David Yates as Murphy discovers the meteor, and is its first victim. Cortney Lee is a young infected girl, threateningly attacking with an oral worm of some kind. Molly McDowell as the Dispatch in the Sheriff's office artfully amuses herself with music and self study, seemingly oblivious to the dire situation unfolding around her.
9909 is an interesting and enjoyable piece, and offers an undertone of nuanced allegories that may be prophetic.
The Center for Disease Control recently said that swine fly has become a pandemic, although the mortality rate is less than expected. The message of 9909 is that a foreign virus or creature can cause widespread disease and subsequent panic, although with rational thinking and swift action, the world can be saved to see another day.
Exclusive Buzzine interview with star and N.Y. Indie Film Fest ‘Best Actress,’
Kelly Pendygraft!


















